‘Tis the time of year to lounge on the couch and devour a tin of mince pies in front of a terrific flick, a poor film, or one that’s awesomely awful.
This year, a crop of new holiday movies strives to join part of our holiday traditions—potentially even finding a spot alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
So, in a noble effort to sort the crackers from the turkeys, and to get into the Christmas spirit, I watched as many recent festive movies as possible in a single day.
Starting, hopefully, on a high. This film is the exclusive 2025 entry on a well-known aggregator's list of the top 100 holiday films of all time.
The Jonas Brothers end up stuck in the UK after wrapping up their global concert series and must make it back for Christmas. Their attempts are thwarted by an villainous Saint Nick, who breaks into song to declare they won’t get home until they “rekindle their brotherly magic.”
The back-and-forth between the arguing trio is enjoyable even for the uninitiated, while followers will certainly notice lots of in-jokes as they attempt to get back using all transportation available.
It’s a travelogue of mishaps.
It’s not legendary, but is great for devotees and a solid start to the day.
Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who are obliged to sit through it.
A-list actor Kiefer Sutherland has been cast as a Hollywood star tricked into a "panto".
“A what's a panto??” asks Sutherland’s “hard-to-work-with” and ageing lead Brad Mack, who has seen better days and whose agent has deceived him into thinking he’s performing in high-class London stage.
His Aladdin co-stars let him know he’s playing Buttons. “Absolutely not,” he insists angrily. It's easy to predict their retort. Unless you’re ignorant of traditional panto catchphrases.
There are some great jokes, some cockle-warming sub-plots, and the ensemble is cracking, too.
It’s the sort of feature that would be a bit cheesy at any other time of year, but is a great entertainment at Christmas.
Christmas tree rating: 🎄🎄🎄🎄
An actor shows up at the outset of this film, too, delivering a signature line for the second film in a row. Could this be a new Christmas tradition?
This time, he’s a musical taxi operator who collects Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by an actor from Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The well-known tale develops as the miserly Mr Sood is confronted by the spirits of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This South Asian reinterpretation is at least distinct from all the others, but regrettably he’s not very compelling and Nayyar’s portrayal is lifeless—a significant issue when he’s so the main character.
Christmas tree rating: 🎄🎄
Before lunch for a channel's original festive film—which stars Guz Khan as a lovably grouchy guy who “doesn’t really do Christmas.”
But after he gets an £8,000 Christmas bonus at work, his wife (played by Morgana Robinson) convinces him splurging the cash on a holiday to Lapland.
There’s just one snag—he discovers there was an mix-up with his bonus, which should have been £800, and he has to devise a plan for how to return the difference.
Enjoyable but forgettable.
Festive score: 🎄🎄
This is one of those holiday movies where the festive trappings are in the background—Christmas is the scene of the film rather than its main point—but it feels cosy and festive all the same.
High-powered businesswoman Sydney (starring Minka Kelly) is assigned to a country estate to negotiate a purchase for a champagne business. En route, she encounters a man in a bookshop who promises to show her Christmas in Paris.
A commentator recently claimed this is the top new Christmas film of the past few years. That’s a bit of a exaggeration, but it is a Christmas romance with a dash of elegance and gives the necessary heartwarming sensation.
The scene with a lengthy discussion about Die Hard is notable too.
Festive score: 🎄🎄🎄
Young Chris, played by Lenny Rush, continues to believe in Father Christmas, regardless of the efforts of his dad (played by James Buckley) to tell him the reality.
The truth is somewhere, and Chris ventures forth to find it with the guidance of a team of well-known figures.
It’s understated but endearing, and ideal viewing while anticipating Santa to visit.
Christmas tree rating: 🎄🎄🎄
Michelle Pfeiffer is the mother of a dysfunctional American family who reunite for the holidays—including other acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer begins by referencing holiday staples like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before declaring: “They need to make a movie about the unsung heroes of the holidays—moms.”
So that’s the premise, but in practice it’s really a combination of those inspirations, at least until Pfeiffer’s character eventually takes center stage.
Holiday verdict: 🎄🎄
The day’s waned in quality, but thankfully here’s a new entry in the saturated market of formulaic, schmaltzy, badly acted—and highly entertaining—seasonal comfort food.
It’s a story as familiar as can be: An American woman journeys to a far-off wintery locale and ends up discovering romance.
In this case, Caprice Bourret plays a publisher
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